What I'm listening to today: "Ambient textures with Serge Modular Medusa", Laurent Hilairet

Beautiful, peaceful little "west coast" electronic piece. Makes me think of like early 20th century piano compositions.

Gently floating on a bed of clouds made of supersaws, the structure of a dream, coming on slow, evaporating like mist

https://www.youtube.com/watch?v=xWKvnX4RpIQ

What I'm listening to today: "Amen Break Jungle on Tonverk - MIDI Controlled Elektron Tonverk & Cyclone Analogic TT-303", Slots

Experimental attempt to use Elektron's new multiphonic sampler for drums. Loads in some classic jungle samples & runs an acid synth on top. Starts with a fresh jungle feeling which increasingly fights with something manic and maybe a bit grim. Really raw, goes maybe actually too hard in an interesting way. It's loud and it's hot and it's close.

https://www.youtube.com/watch?v=Nqu-30H0a6M

What I'm listening to today: "War"

Sinead O'Connor covering Bob Marley stripped down, sharpened, into something like a weapon, piercing into your head. This ran live on TV and nobody noticed how haunting it was because all anyone paid attention to was the career-ending final seconds. No one understood why she did it. The idea of child abuse in the Catholic church was treated as so absurd it couldn't actually be the real explanation. Everyone concluded she was "crazy".

https://www.youtube.com/watch?v=ZINQegZfu6A

What I'm listening to today: "18 12 2025 Techno jam", RM1_music

One Syntakt sequencer, one Microfreak synthesizer, one phone camera and an immaculate live techno set spanning 3 or 4 distinct "songs" over 12 minutes. The world is full of people who can just sit down with two plastic boxes and dash off a performance like this. I have listened to this like 4 or 5 times since it was posted, which makes me like 10-15% of its 41 views on Youtube

Excellent "background music".

https://www.youtube.com/watch?v=ndKwRJcuGXs

What I'm listening to today: "Untitled", Korea Undok Group

Mysterious music embedded in a mysterious artifact: a 1982 cassette tape from a Winnipeg experimental music label, meaning, one musician in Winnipeg selling their own cassettes mail order. In 2025 this was re-released on Bandcamp, then de-re-released. Primitive, distant, seductive, calling to you like the fair folk singing in the woods. Click "Stop" at 4:28 or you may find yourself permanently stuck in the 1980s

https://www.youtube.com/watch?v=z-AlElVLCPg

What I'm listening to today: "First Encounter", Dissonant Witchcraft

A video showing off the "Antilope", a cryptic sound-making artifact by Manifold Research Centre (trade name for a designer formerly of Instruo, who before that… made wine? In transalpine Italy?).

Still Arctic landscapes, a stark sound collage in the shape of an industrial downtempo piece, clicky FM drums and metallic swells, standing on the freeway median as insectoid Things rush by. A loss of balance

https://www.youtube.com/watch?v=YbDorKLX7Ww

What I'm listening to today: "SNWthr", Isobutane

Isobutane is known as "that guy who uses the Yamaha RS7000" and the Yamaha RS7000, honestly, is probably primarily known as "that weird old synth Isobutane uses". Here a series of cryptic machine noises sculpted into a techno piece, the way you imagine a computer from the 1940s would sound while operating, except the computer is sincerely attempting to make you dance. Scrunchy

https://www.youtube.com/watch?v=0VcXYhqllS0

What I'm listening to today: "FREE ROLEYS", Westside Gunn feat. Benny The Butcher

I've been listening a lot to Griselda, a hip hop clique/record label in Buffalo founded by Gunn here. On this track Griselda's distinctive house style (oldschool lofi beats with an uncanny gloss) gets pushed to an almost surreal level, like you're listening to a horror movie soundtrack or a live field recording from Hell. Blood in your mouth taste delicious, stay vicious

https://www.youtube.com/watch?v=BTCgVRf_qxU

What I'm listening to today: "TD_B4", Sun of a Pitch

I imagine like, a cat doing a big yawn and stretchy, but in music form. Lordosis. Seductive illogic, a big spaghetti desk panel of modular synths making big spaghetti sounds. Strange unfolding crystal structures made of FM shines, hum and hiss, drums so soft and erratic they sound like another ambient element instead of beats. My suggestion is you do not "listen" to this instead just try to feel the big stretchy

https://www.youtube.com/watch?v=dtyKYj5bFkE

What I'm listening to today: "Singularity 157", Echovocation

Long but satisfying Space Music saga. Watch carefully at the bottom and you'll see that what sounds like the lead synth is actually a kalimba (simplified Zimbabwean finger harp). You're basically listening to a long kalimba performance fed into a long chain of modular equipment that filters the sounds into aftershocks and echoes far larger than its input. Interplanetary craft approaching space dock.

https://www.youtube.com/watch?v=aa7glPhcITQ

What I'm listening to today: "It’s techno time", Marie Ann Hedonia

It's techno time!!!!!!!!!

https://www.youtube.com/watch?v=T_CNvq8s7R0

What I'm listening to today: "Sarah Belle Reid plays the Buchla Touché"

I think of myself as pretty informed on "weird" synths and this one is, to me, REALLY WEIRD.

This is a hyper-rare (they made four. ever) synth, one of the earliest computer-controlled synths, you could reprogram its behaviour using a one-off Forth-like developed just for this device and for this track they made it… not… act like… a piano.

It's… otherworldly. IMO remove all distractions to watch it

https://www.youtube.com/watch?v=5Vb8NL3lNTs

What I'm listening to today: "Teletext Rhythms"

This YouTuber's bio: "I am a terrible but ambitious programmer and procrastinating musician.

In order to avoid finishing music, I decided to write a sequencer for the Nintendo 3DS to keep myself busy."

But I dunno, I think they're doing pretty well. Here's a 20-minute live set (in the sense a DJ set is live) in the Noise Commander prototype running on a 2DS. Good hiphop-aware grooves and some lovely electronic production

https://www.youtube.com/watch?v=B2Piwv4H3KM

What I'm listening to today: "Kraftwerk"

Kraftwerk is known for a Specific Sound, their genre-defining electronic work. Did you know before they acquired/learned the electronics they just made prog music? Really good prog music? Florian Schneider's main instrument was the flute? Their first¹ album from 1970 has all the attention to feeling and timbre of electronic music but it's all Instruments and tape. If it sounds like Can that's because they used the same producer.

https://www.youtube.com/watch?v=LJkaySROPkQ

What I'm listening to today: "Falling In Love", Surface

This 1983 track is a wonderful-feeling midpoint between the last days of disco and 80s pop. I want to gush about each little production choice, every sound feels crafted. That primal synth bass.

I guess this is technically the extended club mix but it's the version that was on Tidal, and the longer runtime matches the song's unhurried, laid-back feel so well.

https://www.youtube.com/watch?v=NaYh9k2yIng

What I listened to today: "Prelude to Fear" / "Creating, Example 1", Primus

Primus is known for a Specific Sound, confident, idiosyncratic, grounded in Les Claypool's virtuoso bass. So it's SUPER interesting to listen to this early, pre-Tim-Alexander demo, where the sound isn't…quite…what it became. Intense funk vibes, just a touch of prog, and Claypool does Voices but doesn't seem to have solidly chosen steampunk yet. At one point he seems to be describing an OODA loop

https://www.youtube.com/watch?v=MxR8z4-mFec

What I listened to today: "Show Me What You Got", Busta Rhymes

Busta Rhymes sampling my favorite Stereolab song ("Come And Play in The Milky Night"). J Dilla beat! Kinda archetypical for Busta, near-miss brilliance, great production, incredible rap flow… & an overlong chorus that drags the whole thing down (the chorus really needed a professional singer for guest vocals).

Listen careful on verse 1 for the rap equivalent of a oner. Rhyme scheme is AAAAAAAAAAAAAAAAAAAA

https://www.youtube.com/watch?v=k2Q0UgQ1rro

What I'm listening to today: "Eutow" (live at Flex/Vienna 1996), Autechre

These days each Autechre tour is like a unique album, but their live sets have always been full of unreleased tracks, alternate versions, mashups¹. Here's a completely screwed version of the danciest track from Tri Repetae++, feeling way slower without changing the tempo, something mesmerizing, a decaying orbit around a black hole, spiraling inexorably inward

https://www.youtube.com/watch?v=zZGBMpXgnaU

¹ Listen here for Basscadet fragments

What I listened to today: "BASTLCITADEL｜#4 - Crushed strings ( FX WIZARD, nRings, uO_C, little nerd )", boop _e_

One of my fav things in modern music tech is Bastl's nano-modular "Kastle"—recently rebooted as the "Kastle 2/Citadel" series, available as either a eurorack module or the Kastle patchwire format & reprogrammable as any of 3 different devices. Here, the FX WIZARD mode glitches the venerable "Rings" Karplus-Strong module. Have I lost you? It's crunchy sounds

https://www.youtube.com/watch?v=75PH03CYDWM

What I listened to today: "Secuencia Techno con Syntakt y Microfreak", RM1_music

Super satisfying techno set on two desktop devices. Hard driving thumps, surreal whooshing. At some point I have to face the fact I never actually learned the names of EDM subgenres I just like, listen to everything, and that makes writing these descriptions hard some days. Someone who did the research could probably identify the 3 microgenres here. All I can say is it's highly raveworthy

https://www.youtube.com/watch?v=dJSwNiQ4KPU

What I'm listening to today: "BASTL WAVE‍BARD｜#14 - DRONE", boop _e_

A couple days ago I posted this artist using the Citadel, a eurorack module reprogrammable as any of Bastl's "Kastle 2" devices. Here's the equivalent desktop/handheld device, this time programmed as a "Wavebard", with the eurorack cables replaced with little wires.

Track is a soulful, disorienting dream about being lost in fog while giant glowing blobs of color pass by you, paintsplotches in the mist

https://www.youtube.com/watch?v=0uVWrZffwEc

What I'm listening to today: "(Untitled1)", TAKAAT

Picked this up on Bandcamp Friday. "Is Noise". This band are somehow connected to Tinariwen, the group from 1979 called the grandfathers of Tuareg (Saharan) rock music. Here's an epic lo-fi rock album intro, "unedited jam… recorded live to tape in Washington D.C", made in the modern era but coming off plausibly like it could have opened the rawest rock album of 1982. Shredding

https://takaat.bandcamp.com/track/untitled1

What I'm listening to today: "You Don't Know My Name", Alicia Keys

Keys off her 2003 album doing an effortless, irony-free resurrection of soul-flavored musical styles at least 23 years older than that. Finessed to feel like the kind of thing hip hop samples moreso than hip hop.

I love this song, it's just so guilelessly sweet. This is the kind of aw-shucks just-a-girl romance song Taylor Swift keeps trying to record, but for T it always kinda falls flat. Keys nails it

https://www.youtube.com/watch?v=ZdMxVCXEH4c

RE: https://mastodon.social/@mcc/116059452504562223

What I'm listening to today: "Sex", the Necks

This is an Australian jazz trio whose "albums" all seem to be very long single pieces. This is their first release, and it hits a satisfying loungy groove in second one then digs in for an hour, constantly shifting the whole time, like a knob is being very slowly turned up on a single emotion. If you like electronic music with very long track lengths this basically is jazz custom made for you. Like, Plastikman fans attn

https://www.youtube.com/watch?v=w8glrLkMpBs

RE: https://mastodon.social/@mcc/116065097826262688

What I'm listening to today: "To Day Interval", Autechre

One of two remixes Æ did of "Ten Day Interval" by math-rock/post-rock/progressive-jazz group Tortoise. The other remix is straightforward if Autechre-y but this one, this one's a minimal obsessive dissection of a single piano track and I love it—one of my fav points in Æ's whole discography. It's like a meditation, emptying your mind except for a single image which you focus on until you understand it Completely

https://www.youtube.com/watch?v=SkHIVu06Nh8

What I'm listening to today: "I'm Dead", Bam Bam

I only learned about this band this week, they're like 50% punk but the other 50% was inventing "Seattle grunge" 5 years early. Matt Cameron on drums.

Here's an amazing skin-searing blast of sludge guitars and yelling. Like being air-fried. There's a guest vocalist in addition to Bam Bam's lead Tina Bell here, but I can't identify him.

https://www.youtube.com/watch?v=nF3yNXzJdZI

( Mastering seems a little better on the Tidal version: https://tidal.com/track/107339796/u )

What I'm listening to today: "1920263 Meditative Ambient Guitar and Synth Soundscape Behringer Wasp Deluxe Microcosm", CJT

This dude seems to do basically daily jams on his pile of midrange synths and post them all to YouTube. I liked this one out of the pile where a wasp provides a quiet heartbeat and he improvises a guitar solo over it. 1980s dark cinematic feel, empty streets and echoes and vague menace in the form of a young Willem Dafoe, waiting for you somewhere

https://www.youtube.com/watch?v=1me3N6gfDkY

What I listened to today: "Zero", Lamb

Whatever "Trip-Hop" was. Was a tension between pulling ideas out of lounge-y jazz-y genres from the 30s-60s to jam them into electronica, vs pulling ideas out of electronica and jamming them into lounge-y jazz. Which was the real thing? The answer seems to come in tracks like these where the musicians just say screw it and make a song with no electronics. This track's pure voice and violin and the vibes are enormous, it's wonderful

https://www.youtube.com/watch?v=uT9jL6uXRc0

What I listened to today: "HEEL CENA", Westside Gunn

One more from the ringleader of the Buffalo, NY "Griselda" rap clique. The last one I linked was kinda surreal avant-garde but this is good solid hip hop basics. Fantastic flow and vivid production that feels like it's picking up what trip-hop set down. He has raps about how his kids like Minecraft.

Linking the Bandcamp version which has the bowlderized no-blood cover art. Last time Bluesky actually censored the link

https://daupe.bandcamp.com/track/heel-cena

What I'm listening to today: "Gold", Lamb (Autechre remix)

Æ used to do a lot more remixes and had this fascinating tendency to find a real particular vibe that resembled neither the source material nor Autechre's regular work but felt consistent with Autechre's other remixes. I really love the flip here about halfway through where the instrumentation suddenly pulls back and it's like an airplane bursting out of clouds or a train pulling out of a tunnel into the open

https://www.youtube.com/watch?v=LNbGGjbxos4

What I'm listening to today: "You and I are in a Dark Crypt Forever", Warlock Corpse

This somewhat defies description and it makes more sense to just watch five seconds and you'll get the idea. "Dungeon synth" music with metal drumming and 80s goth synths and a guy dressed like… some sort of troll? They went to the bother of putting fake VHS effects on it even though the equipment on the table clearly dates this performance to the 2020s. This is really fun actually

https://www.youtube.com/watch?v=5515PpSyLFc

What I'm listening to today: "Speed Learn", Tomaga

Got lost on Bandcamp and wound up listening to sleepy jazz for tired cats. Here is a machine gradually coming online, whirring wheels over tracks and indifferent buzzing and uncorrelated electronic blorps. It has some kind of meaning, hidden from you, in the firmware of the thing that blorp is issued at some meaningful moment, in a service manual not distributed outside the manufacturer its secret truth is revealed

https://handsinthedarkrecords.bandcamp.com/track/speed-learn

What I'm listening to today: "#feedbackuary ...Crystal Cherry Blossom Caverns... [Pulsar-23] [Enner] [Blackhole]"

Slow 80s-style-industrial music based on a pile of idiosyncratic SOMA equipment and a musician playing a cracklebox like a violin. Run harsh buzzy noises into a big enough echo pedal and they take on this smooth fluid sound. The mood of a journey through a cursed, destroyed world, hunkering with your weapons in the back of a pickup truck, wind howling past

https://www.youtube.com/watch?v=NTLAiBZmmks

What I'm listening to today: "Up Up", Li Yilei

Li Yilei is a really interesting electronic artist from Shanghai, currently operating out of London; this is from their first release "Unabled Form". Slowly building ambient/cinematic object that is either menacing like an abandoned factory or comforting like a cold winter day, depending on your inclinations. Yilei excels at this sort of data sculpture, a space made of noises that presents a narrative as you move through it

https://ltrrecords.bandcamp.com/track/up-up

What I listened to today: 2024-05-22 Mastodon post, Autechre

Sean Booth of Æ has a Fediverse account and one day last year posted this gorgeous outtake from Oversteps (which I still consider Æ's most risk-taking album). It's kind of breathtaking, utterly unlike Æ, a labyrinth of classical spanish guitar, while also quintessentially Æ and very "yeah that, that's an Oversteps track". I think of this as a cousin to known(1) but I feel shadows of other songs of that era too

https://data.runhello.com/blj/autechre_oversteps_outtake_sean_mastodon_20240522.mp3

What I'm listening to today: "Southside", Lil Keke

What if I spent this entire week linking classic "dirty south" hip-hop tracks I loved from 97.9 The Box back in the 90s (which, I am visiting Houston this week and their selection is still excellent). No one could really stop me.

Here's known DJ Screw associate Lil Keke, dropping an effortless flow that stuck in my head for 29 years and my favorite instance of slide guitar in the entire corpus of music. Sorry Beck

https://www.youtube.com/watch?v=kg7cThO_vgo

What I'm listening to today: "Ghetto D", Master P

Master P put No Limit Records on the map, and made New Orleans the new capital of southern hip hop, with "Ghetto Dope", an incredibly catchy step-by-step guide to the production, distribution, and sale of crack cocaine. This unstoppable hit could not possibly get played on the radio, leading to this incredibly funny radio edit which is cut up to almost near illegibility making it sound like "Ghetto D" is a rapper

https://www.youtube.com/watch?v=2uxrtDtZ0mM

What I'm listening to today: "Writtin´ Rhymes", Timbaland and Magoo

This album dropped in the aftermath of clique co-leader Missy Elliot's "The Rain" going off like a bomb, and had like three huge hits on it, but basically no track on this album misses so I want to play you one of the lesser tracks that never got radio play. Timb and Missy became such huge multidecade cultural forces it's easy to forget when they were hungry, just obscure kids who produced for Alliyah

https://www.youtube.com/watch?v=i_qK0lxHXQI

What I'm listening to today: "The Party Don't Stop", Mia X

This is it: The greatest track No Limit ever created. Their in-house production shop ("Beats by the Pound") as their name implies were all about quantity, but when they cared they could deliver pure gold, deliciously cheesy like those cover photoshops. This track is perfect, a joyous block party. And Foxy Brown's here, because like, OK, it's 1997, something incredible is happening, of course Foxy Brown's here.

https://www.youtube.com/watch?v=gD00hgwbpac

What I'm listening to today: "The Man Right Chea", Mystikal

Yes, my 90s southern hip hop mixtape is 50% No Limit by volume. Here's the thing: So was the radio in 1997. This is a loopy, hypnotic bit of experimental techno packaged as hip hop and I'm still kinda shocked radio stations played it

Beats by the Pound getting the most technique out of the cheapest synthesizers; Mystikal doing oddly experimental vocals that seem to have departed "rap" and approach skat singing

https://www.youtube.com/watch?v=iEQJZ8Ccpqc